Video Tutorials
From Muddy to Intentional: What Sean Tucker's Colour Philosophy Taught Me About My Own Edits
I used to name my presets after the feeling I was chasing. “Golden Hour Desperate.” “Blue That Isn’t Too Blue.” “Please Just Look Natural.” If you’ve ever stared at a raw file wondering whether your color instincts are broken, you already know the spiral I’m describing. Raw files are neutral by design, which is a gift and a curse. Film photographers had Kodachrome or Kodak Gold making the color decisions for them.