Lightroom editing, color grading & visual storytelling

Lightroom editing, color grading & visual storytelling — by Alex Rowe

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Fix Overexposed Backgrounds Without Touching Your Subject in Lightroom

Fix Overexposed Backgrounds Without Touching Your Subject in Lightroom

There’s a specific kind of frustration that comes with a photo that’s almost perfect. The subject looks great, the composition is solid, but the background is blown out, and every time you drag the exposure slider down to fix it, your subject goes flat and dark with it. I’ve been there more times than I care to admit. It’s one of those problems that looks like a retouching issue but is really a workflow issue.

Steal Any Color Grade in Minutes: The Reference Image Trick Professionals Actually Use

Steal Any Color Grade in Minutes: The Reference Image Trick Professionals Actually Use

There’s a specific kind of frustration that hits when you see a photo with a color grade you love and have absolutely no idea how to recreate it. You know the feeling. You’re staring at a fashion editorial with that perfect warm-teal tension, or a moody film still with shadows that feel almost purple, and you’re thinking: where do I even start? I’ve been there more times than I want to admit.

How to Rescue a Blown-Out Sunset Photo Using Lightroom's Tone Controls (Start to Finish)

How to Rescue a Blown-Out Sunset Photo Using Lightroom's Tone Controls (Start to Finish)

Sunset photos are the ones that fool you into thinking you nailed it in camera. The light is gorgeous, the composition feels right, and then you open the RAW file and the sky looks like a nuclear event while the dock is a silhouette. I’ve been there more times than I want to count. It’s one of the most common problems I hear about from readers, and it’s also one of the most solvable ones once you understand how Lightroom’s tone controls actually work together.

Why Your Digital Photos Look Too Clean (And How Film Emulation Fixes It in Lightroom)

Why Your Digital Photos Look Too Clean (And How Film Emulation Fixes It in Lightroom)

I spent three hours last Tuesday staring at a batch of portraits that were technically perfect and somehow completely lifeless. Sharp, well-exposed, neutral white balance. The histogram looked like a textbook example. And yet every single image had that unmistakable quality I’ve come to think of as “digital flatness” — the kind of sterile, clinical look that makes a photo feel like a document instead of a moment. I ended up running them through a Kodak Portra 400 emulation preset I built last year (named “Desolation Row,” for the record), and within about forty seconds, the whole session clicked into place.

Stop Over-Editing Your Photos: What Peter McKinnon's Leica Workflow Taught Me About Restraint

Stop Over-Editing Your Photos: What Peter McKinnon's Leica Workflow Taught Me About Restraint

There’s a version of me from about six years ago who would have wrecked these photos. I know this because I still have the hard drives. Too much contrast, greens cranked to neon, a heavy-handed preset slapped on top like a bumper sticker. I thought volume equaled quality. I was wrong, and it took years of editing other people’s work before I figured out why my own stuff looked so processed.

Purple Fringing and Publish Services: Two Lightroom Fixes You'll Use Every Single Week

Purple Fringing and Publish Services: Two Lightroom Fixes You'll Use Every Single Week

There’s a specific kind of frustration that hits when you deliver a print to a client and then spot the problem yourself, standing right there next to them. Purple fringing along a roofline, a green halo eating into a branch, some artifact you somehow missed at screen size. I’ve been there more than once, and it never gets less embarrassing. The fix exists, it takes about fifteen seconds, and for whatever reason it doesn’t get talked about enough in beginner and intermediate circles.