Lightroom editing, color grading & visual storytelling

Lightroom editing, color grading & visual storytelling — by Alex Rowe

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Lightroom's Adaptive Presets Finally Made Me a Preset Person (And I've Been Resisting for Years)

Lightroom's Adaptive Presets Finally Made Me a Preset Person (And I've Been Resisting for Years)

There’s a version of me from about two years ago who would have rolled his eyes at presets. Hard. I named my own presets after Wilco songs and built every mask by hand because I believed that was the only honest way to edit a photo. Then I watched Thomas Heaton — a landscape photographer I respect precisely because he’s methodical and unsentimental about gear and software — admit on camera that he’d been running an outdated version of Lightroom for so long that he used it during a paid Adobe presentation.

Lightroom From the Top: How Tony Northrup's Culling-First Workflow Will Change How You Edit

Lightroom From the Top: How Tony Northrup's Culling-First Workflow Will Change How You Edit

Every photographer I know has the same problem: a memory card full of 300+ shots from one session, a vague intention to “edit those later,” and a folder that never gets touched again. I fell into this exact trap when I was editing press photos for my band on zero budget, learning Lightroom by trial and error with no system whatsoever. The editing wasn’t the hard part. The chaos before the editing was.

Stop Fixing Colors Globally — Here's How to Dial In Each One Individually in Lightroom

Stop Fixing Colors Globally — Here's How to Dial In Each One Individually in Lightroom

Every time I hand off an edited landscape or portrait to a client, I think about how badly my early work would have embarrassed me. Back when I was cutting my teeth on Lightroom, editing my band’s press shots in a Nashville apartment at midnight, I treated color like a single dial. Warm it up, crank the vibrance, call it done. The results looked like a sunset filter threw up on a perfectly decent photo.

The Hidden Hours: Can AI Finally Solve Video Color Grading's Dirty Work?

The Hidden Hours: Can AI Finally Solve Video Color Grading's Dirty Work?

The Unsexy Side of Professional Color Grading Let me be honest—the creative part of color grading is chef’s kiss. Those moments when you nail the mood, dial in the perfect teal and orange aesthetic, and transform a flat image into something cinematic? That’s why we got into this. That’s the dream. But here’s the reality nobody talks about in those Instagram reels: before you get to touch a single creative slider, you’re spending hours—hours—just making your footage look technically consistent.

Stop Letting Your Lightroom Collections Turn Into a Junk Drawer (Use Collection Sets Instead)

Stop Letting Your Lightroom Collections Turn Into a Junk Drawer (Use Collection Sets Instead)

My Lightroom catalog used to look like the back seat of a touring van. Photos everywhere, collections named things like “final_REAL_v3,” no logical hierarchy, just a long scrolling list of panic. When you’re importing shoots constantly, organization is the thing that always feels like it can wait until later. Later never comes. Collection Sets fixed that for me, and I genuinely wish someone had walked me through them when I was starting out.

Lightroom Just Split in Two — Here's What That Actually Means for Your Editing Workflow

Lightroom Just Split in Two — Here's What That Actually Means for Your Editing Workflow

Every few months I get the same message from readers: “My Lightroom looks different and I don’t know what happened.” Usually it’s a minor UI shuffle. This time, though, Adobe made a move significant enough that I spent a good chunk of my week digging through the changes before I felt comfortable writing about them. The short version is that Lightroom is no longer one app. It’s two. And depending on where you are in your photography journey, that’s either great news or mildly annoying news.