Lightroom's Masking Tools Are Smarter Than You Think — Here's How to Actually Use Them
I was editing a batch of live concert shots last fall, and one image kept fighting me. The guitarist was perfectly exposed, but the background was a blown-out mess of stage lights. I tried a graduated filter. Too blunt. A radial filter. Too symmetrical. I eventually spent 20 minutes pushing the same three sliders back and forth like I was negotiating with the photo. Then I used a Subject Select mask with a Luminance Range refinement layered on top, and the whole thing clicked in about 45 seconds.