Video Tutorials
How Thomas Heaton Shoots and Edits Patagonia Alpenglow (And What His Workflow Teaches the Rest of Us)
There’s a specific kind of chaos that happens when you’re standing in front of an extraordinary scene and you have maybe four minutes of good light left. I’ve been there in a different context, trying to get usable press shots for my band with a borrowed camera and zero budget, learning Lightroom out of necessity because nobody else was going to do it. That scramble taught me more about efficient, intentional editing than any formal course.