Video Tutorials
The Lightroom Edit That Changed How I Think About Adjustment Brushes
There’s a specific kind of edit I used to dread: a portrait with a blown-out background, slightly flat skin, and hair that reads as a muddy brownish-yellow on screen. It’s not a ruined photo. It’s a fixable photo. But the path from “fixable” to “finished” always felt like it had too many decision points, and I’d end up over-editing my way into something worse than what I started with. That changed when I started paying close attention to how photographers with a clear visual instinct move through Lightroom — not what buttons they press, but why and in what order.