Stop Fighting Flat RAWs: How Camera Profiles and Color Targets Fix Your White Balance at the Source
Every photographer I know has spent too much time dragging the Contrast slider back and forth trying to resurrect a flat, muddy RAW file. I did it for years. Back when I was editing press shots for my band on a borrowed laptop, I thought contrast was something you added manually, like salt to a recipe. Turns out I was starting from the wrong ingredient entirely. That’s the core lesson in this CreativeLive tutorial on color management policies in Lightroom.