Editing Workflow

Stop Manually Dragging Sliders Back to Zero — There's a Much Faster Way
Video Tutorials

Stop Manually Dragging Sliders Back to Zero — There's a Much Faster Way

Last week I was doing a second pass on a batch of live music shots, the kind where you’ve already applied a sync across fifty frames and then realize the Texture slider is doing something weird on half of them. My usual move was to grab each slider and drag it back toward zero, squinting at the number until I landed close enough. Close enough. That’s not a workflow, that’s a nervous habit.

The Homogenization Problem: Why One-Click AI Color Grading Is Erasing Photographic Identity
Color Grading Philosophy

The Homogenization Problem: Why One-Click AI Color Grading Is Erasing Photographic Identity

I opened Instagram last week and scrolled through fifty photos from fifty different photographers. They all looked like they were shot on the same camera, in the same location, at the same time of day. Same teal-and-orange split toning. Same lifted blacks. Same crushed shadows that somehow manage to feel both dramatic and hollow. Same exact vibe. This isn’t a coincidence. This is what happens when powerful AI color grading tools become the default move for the majority of photographers.