Mood, Light, and Luminosity Masks: What Nigel Danson's Editing Session Taught Me About Visual Weight
There’s a specific frustration I run into with wide-angle landscape shots that I’ve never totally shaken. The sky grabs all the attention, the foreground goes flat, and the image loses the sense of depth that made you stop and take the photo in the first place. You can push the sliders around for an hour and still end up with something that feels technically correct but emotionally empty. What I keep coming back to is that the problem isn’t exposure, it’s visual weight.