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Stop Making Presets. Start Making Profiles: A Practical Guide to Building Your Own LUTs in Photoshop and Lightroom
Video Tutorials

Stop Making Presets. Start Making Profiles: A Practical Guide to Building Your Own LUTs in Photoshop and Lightroom

Every preset pack I’ve ever built started the same way: me fiddling with HSL sliders in Lightroom, convincing myself I could get exactly the tone I wanted if I just pushed the Aqua Luminance a little further. Sometimes it worked. Usually it didn’t. The controls in Lightroom are powerful, but they’re also a ceiling, and for years I bumped my head against that ceiling without realizing there was a door in it.

Build a Photography Calendar in Lightroom's Print Module (And Actually Use Your Best Shots)
Video Tutorials

Build a Photography Calendar in Lightroom's Print Module (And Actually Use Your Best Shots)

Every December I end up with the same problem. I have a folder full of my favorite shots from the year, a vague intention to do something meaningful with them, and then somehow a generic wall calendar from a gas station ends up in my kitchen anyway. Sound familiar? This year I finally did something about it, and the fix came from a surprisingly underused corner of Lightroom. In this Matt Kloskowski tutorial, he walks through how to use Lightroom’s Print Module to combine a free calendar template JPEG with your own photography into a shareable, printable image.

How to Edit Moody Landscape Photos in Lightroom: 6 Steps That Actually Work
Video Tutorials

How to Edit Moody Landscape Photos in Lightroom: 6 Steps That Actually Work

There’s a specific kind of landscape photo that stops you mid-scroll. Dark, atmospheric, a little unsettling. The kind of image where the fog does half the storytelling and the edit does the other half. I’ve been chasing that look for years, and I’ll admit I used to think it was mostly about being in the right place at the right time. It’s not. It’s mostly about knowing what to do with the raw file once you’re back home.

The Secret Color Grading Superpowers You Already Own
News

The Secret Color Grading Superpowers You Already Own

The Art of Mood Without the Mess I’ve been thinking about color grading a lot lately, and here’s what keeps me up at night: the difference between a stunning edit and a catastrophically oversaturated mess often comes down to one simple decision—knowing when to hold back. Color grading is like seasoning a dish. Too much and you’ve ruined dinner. But when you nail it? Magic happens. You can take two photographs of the exact same subject, shot under completely different lighting conditions, and make them tell the same visual story.

How to Remove Anyone From a Photo in Lightroom (Without Breaking a Sweat)
Video Tutorials

How to Remove Anyone From a Photo in Lightroom (Without Breaking a Sweat)

There’s a specific kind of frustration that comes with a technically perfect shot that has a stranger’s elbow in the corner, or a lighting assistant visible in the background. I’ve been there more times than I care to admit. Back when I was editing press photos for my band on a zero-dollar budget, every person in the background of a shot was a problem I had to solve in software, usually badly, usually late at night.

Adobe Lightroom's New AI Masking Is Almost Too Easy (And I Have Feelings About That)
Video Tutorials

Adobe Lightroom's New AI Masking Is Almost Too Easy (And I Have Feelings About That)

Every few months Adobe drops an update that genuinely changes how I work, and every few months I have to decide whether I’m excited or quietly unsettled. Sometimes it’s both at once. When I saw the new masking features land in Lightroom recently, I opened the app, sat down with a coffee, and pulled up Watch the full tutorial on YouTube from Peter McKinnon, who had already done the work of poking around in the new tools and thinking out loud about them.

Lightroom 12.3 Just Changed How I Handle Noise and Masking — Here's What You Need to Know
Video Tutorials

Lightroom 12.3 Just Changed How I Handle Noise and Masking — Here's What You Need to Know

Every few months Adobe drops an update that makes me reconsider a chunk of my workflow. Most of the time it’s incremental, a slider moved, a panel reorganized. But the April 2023 release of Lightroom Classic 12.3 landed differently. It touched two areas I deal with constantly: noise reduction and masking. And in both cases, the changes weren’t cosmetic. In this Matt Kloskowski tutorial, he walks through the new Denoise button and the expanded masking options that shipped with version 12.

Hidden Gems in Your Editing Software: Features You're Still Missing
News

Hidden Gems in Your Editing Software: Features You're Still Missing

The Features We All Walk Past Every Day I’ve been spending a lot of time lately thinking about the tools we ignore. You know the feeling—you’re deep in your editing software, tunnel-visioned on the slider that’s become your comfort zone, completely oblivious to the powerhouse features sitting right beside it. It’s like having a professional-grade toolbox but only ever using the hammer. The editing world has been quietly evolving, with software developers tucking increasingly sophisticated features into menus we’ve stopped exploring.

Lightroom 2025's Generative Remove Tool Just Made My Retouching Workflow Embarrassingly Fast
Video Tutorials

Lightroom 2025's Generative Remove Tool Just Made My Retouching Workflow Embarrassingly Fast

Every fall I do the same thing. Adobe drops its annual updates, I spend a Saturday going through the changelogs, and I try to figure out which features will actually change how I work versus which ones will quietly collect dust in a menu I never open. This year’s releases, Lightroom Classic version 14 and Lightroom Desktop version 8, landed with a few genuinely useful upgrades. The one I want to walk through here is the one I’ve already used more in two weeks than I used the old version in two years: the overhauled Generative Remove tool.

Stop Drowning in Bracket Photos: A Smarter Way to Manage HDR Shoots in Lightroom
Video Tutorials

Stop Drowning in Bracket Photos: A Smarter Way to Manage HDR Shoots in Lightroom

Every time I come back from a shoot with bracketed exposures, I face the same low-grade dread: opening Lightroom to find what feels like a thousand nearly identical frames staring back at me. Nine brackets per scene, multiplied across an afternoon of walking around downtown Nashville, and suddenly I’m not editing photos anymore. I’m just managing files. That’s not why I picked up a camera. This KelbyOne tutorial from Matt Kloskowski landed in my feed at exactly the right moment.

Lightroom Mobile Got a Makeover — Here's What Actually Changed (And How to Use It)
Video Tutorials

Lightroom Mobile Got a Makeover — Here's What Actually Changed (And How to Use It)

If you edit photos on your phone with any regularity, you’ve probably opened Lightroom Mobile recently and thought, “Wait, did they move everything?” The answer is yes - and mostly for the better. The old interface had this horizontal strip at the bottom where you’d swipe left and right to hunt for settings, then interact with controls that never quite behaved the way you expected. It was functional, but it felt like a compromise.

Your Phone Is a Darkroom: How to Actually Edit in Lightroom Mobile Without Losing Your Mind
Mobile Editing

Your Phone Is a Darkroom: How to Actually Edit in Lightroom Mobile Without Losing Your Mind

I edited an entire client gallery from a hotel bed in Memphis last spring. Not because I was being lazy, not because I forgot to bring my laptop — I deliberately left it at home. Forty-three portraits, delivered, synced, and client-approved before I checked out the next morning. The tool was Lightroom Mobile, and the result was indistinguishable from anything I would have done at my desk with my usual setup, vinyl spinning in the background.