Presets

Lightroom 7.4 Updated Presets and Profiles Management — Here's What Actually Changed
Video Tutorials

Lightroom 7.4 Updated Presets and Profiles Management — Here's What Actually Changed

My preset panel used to look like a junk drawer. Adobe presets I never touched sitting next to film packs I use every day, next to the black-and-white collection I hadn’t opened in eight months. Every time I went to grab something fast on a deadline, I was scrolling past three folders I didn’t need. It’s a small friction point, but small friction points add up across a hundred-photo edit session.

Your Phone Can Edit Like a Pro — If You Stop Fighting Lightroom Mobile's Quirks
Mobile Editing

Your Phone Can Edit Like a Pro — If You Stop Fighting Lightroom Mobile's Quirks

I was standing in a coffee shop in East Nashville last spring, waiting on an oat milk latte I’d already forgotten I ordered, when I opened Lightroom Mobile to kill two minutes. I ended up finishing three edits. Not rough drafts. Finished, export-ready images that went live on a client’s feed that afternoon. The barista called my name twice. That’s the version of mobile editing nobody talks about, because the conversation is usually stuck somewhere around “can you really edit on your phone?

Your Phone Is a Darkroom: How to Actually Edit in Lightroom Mobile Without Losing Your Mind
Mobile Editing

Your Phone Is a Darkroom: How to Actually Edit in Lightroom Mobile Without Losing Your Mind

I edited an entire client gallery from a hotel bed in Memphis last spring. Not because I was being lazy, not because I forgot to bring my laptop — I deliberately left it at home. Forty-three portraits, delivered, synced, and client-approved before I checked out the next morning. The tool was Lightroom Mobile, and the result was indistinguishable from anything I would have done at my desk with my usual setup, vinyl spinning in the background.

Adobe Finally Did It: Adaptive Presets, AI Noise Reduction, and Preset Intensity Are Here
Video Tutorials

Adobe Finally Did It: Adaptive Presets, AI Noise Reduction, and Preset Intensity Are Here

Every few months, Adobe drops an update and I spend an embarrassing amount of time testing it before I actually sit down to edit anything. This latest round of changes to both Lightroom and Lightroom Classic is different, though. These are not UI tweaks or subscription upsells dressed up as features. These are tools that solve problems I run into on real editing sessions, the kind where I’m trying to separate a subject from a background without spending twenty minutes painting masks by hand.

Your Phone is a Darkroom: How to Actually Color Grade in Lightroom Mobile Without Losing Your Mind
Mobile Editing

Your Phone is a Darkroom: How to Actually Color Grade in Lightroom Mobile Without Losing Your Mind

The Edit That Happened in a Parking Lot Last spring I was shooting a friend’s pop-up show in East Nashville. No assistant, one camera, bad venue lighting that I can only describe as “sodium vapor nightmare.” My laptop was at home. The client needed three usable images within two hours for Instagram promotion before the second set started. I edited them in my car using Lightroom Mobile on my iPhone, sitting next to a dumpster, and they looked good.

How I Edit 200 Photos in 20 Minutes Using Lightroom's Batch Tools (Without Making Them All Look the Same)
Workflow & Efficiency

How I Edit 200 Photos in 20 Minutes Using Lightroom's Batch Tools (Without Making Them All Look the Same)

Last spring I had a client deliver 340 RAW files from a single-day brand shoot. Same location, same subject, same lighting rig from 9am to 3pm. On paper, that sounds like a batch editor’s dream. Uniform conditions, predictable exposures, clean white balance. I figured I’d be done by dinner. I was done by midnight, and not because I was being precious about each frame. I was done at midnight because I kept chasing inconsistencies I created myself by applying the same global edits to shots that, despite looking identical at a glance, had subtly different exposure values, different distances from the strobe, and different amounts of ambient window light creeping in as the afternoon wore on.

Your Phone Is a Darkroom: How I Actually Edit on Lightroom Mobile Without Losing My Mind
Mobile Editing

Your Phone Is a Darkroom: How I Actually Edit on Lightroom Mobile Without Losing My Mind

Last spring I was sitting in the waiting room of a mechanic’s shop in East Nashville, staring at a memory card reader plugged into my phone, watching 47 RAW files sync to Lightroom Mobile. I had a client delivery due by end of day. My laptop was at home. And somehow, two hours later, I sent a fully edited gallery that the client called “the best batch yet.” That wasn’t luck.

How to Fake a 35mm Film Look in Lightroom Using a Masked Gradient (Peter McKinnon's Best Trick)
Video Tutorials

How to Fake a 35mm Film Look in Lightroom Using a Masked Gradient (Peter McKinnon's Best Trick)

There’s a specific problem I kept running into with digital photos that were supposed to feel vintage. I’d pile on the grain, drop the contrast, pull back the clarity, and the result still looked like a digital photo wearing a Halloween costume. Something was off. The scene felt sharp in a way that film never is, too evenly exposed, too present. It took me longer than I’d like to admit to figure out what was missing, and honestly, the answer was sitting in a Lightroom panel I was already using for other things.

Build a Stunning 11-Photo Wedding Book Page in Lightroom's Print Module (Free Preset Included)
Video Tutorials

Build a Stunning 11-Photo Wedding Book Page in Lightroom's Print Module (Free Preset Included)

Every wedding photographer I know has a folder somewhere called “book layouts - FINAL” that is neither final nor organized. You know the drill: you want something that looks editorial, something that tells the story of an entire wedding day on a single spread, but building it from scratch feels like assembling furniture without instructions. I’ve been there more times than I want to admit. That’s why this tutorial from Scott Kelby over at KelbyOne stopped me mid-scroll.

One Edit, 847 Photos: How Batch Editing in Lightroom Actually Works
Workflow & Efficiency

One Edit, 847 Photos: How Batch Editing in Lightroom Actually Works

Last spring I delivered a 900-image wedding gallery in about four hours of editing time. The couple cried when they saw it. The photographer who hired me as a second editor sent a follow-up asking how I turned around work that fast without it looking like a machine had processed every frame. The honest answer is that a machine did process most of it. I just told the machine exactly what to do.

Your Phone Is a Darkroom: How to Actually Edit in Lightroom Mobile Without Ruining Your Photos
Mobile Editing

Your Phone Is a Darkroom: How to Actually Edit in Lightroom Mobile Without Ruining Your Photos

Last spring I was shooting a friend’s engagement session at Centennial Park when their other photographer canceled two hours before golden hour. I ended up shooting the whole thing on my Sony A7IV and editing the delivery batch on my phone that same night, because my laptop was at a repair shop with a dead keyboard. Twenty-four RAW files. Lightroom Mobile. A glass of water and a bad attitude. The edits were some of the cleanest I’ve delivered all year.

How I Edit 200 Photos in 20 Minutes Using Lightroom's Batch Tools (Without Everything Looking the Same)
Lightroom Tutorials

How I Edit 200 Photos in 20 Minutes Using Lightroom's Batch Tools (Without Everything Looking the Same)

Last month I finished a 214-image shoot by midnight. I had the whole catalog exported by 12:47 AM. That’s not because I rushed, cut corners, or slapped one preset on everything and called it done. It’s because I’ve spent years building a batch editing system inside Lightroom Classic that actually respects the difference between a hero shot and a throwaway frame, and applies effort proportionally to both. Most photographers treat batch editing like a dirty shortcut.