RAW Editing

What Lightroom Presets Actually Do to Your Files (And Why Most People Use Them Wrong)
Lightroom Editing

What Lightroom Presets Actually Do to Your Files (And Why Most People Use Them Wrong)

A few years ago I released a preset pack on a Tuesday night, mostly because I’d spent the entire weekend building it and felt too stubborn to let it sit on my hard drive. I named every preset after a song, priced the pack at zero dollars, and went to bed. By Friday it had 50,000 downloads. The number wasn’t the surprising part. The surprising part was how many people emailed me to say the presets “weren’t working” because their photos looked nothing like the preview images on the download page.

What Lightroom Presets Actually Do to Your Raw Files (And Why Most People Use Them Wrong)
Lightroom Editing

What Lightroom Presets Actually Do to Your Raw Files (And Why Most People Use Them Wrong)

A few years ago I released a preset pack called Slow Burn — named after a Kacey Musgraves track, because I name all my presets after songs and I’m not sorry about it. I built the whole thing over one long weekend, uploaded it for free, and watched it pull 50,000 downloads inside of a month. The flood of follow-up emails taught me something I hadn’t expected: most of the people using those presets were frustrated.

When the Sky Blows Out: A Practical Guide to Recovering Highlights in Lightroom
Video Tutorials

When the Sky Blows Out: A Practical Guide to Recovering Highlights in Lightroom

Last week I was culling through a batch of golden hour landscapes and kept landing on the same problem: skies that had gone completely white. Not just bright. Gone. The kind of blown-out exposure that makes you wonder if your histogram was even trying. My instinct, the same one I had for years, was to flag those frames and move on. But I’ve learned to sit with them longer now, because more often than not, the detail is still in there.

Your Phone Is a Darkroom: How to Actually Color Grade in Lightroom Mobile Without Ruining Your Files
Mobile Editing

Your Phone Is a Darkroom: How to Actually Color Grade in Lightroom Mobile Without Ruining Your Files

Last month I was sitting in a coffee shop in East Nashville, waiting on a client to send over a shoot location change, when I got a message from a photographer asking why her Lightroom Mobile edits always looked “off” compared to her desktop work. She’d sent me a screenshot. The skin tones were orange, the shadows were crushed, and the overall look had that telltale flat-but-too-saturated thing that happens when people treat Lightroom Mobile like Instagram.

DaVinci Resolve 21's New Photo Editing Suite Is Shaking Up the Lightroom Ecosystem
News

DaVinci Resolve 21's New Photo Editing Suite Is Shaking Up the Lightroom Ecosystem

DaVinci Resolve 21’s New Photo Editing Suite Is Shaking Up the Lightroom Ecosystem When Blackmagic Design dropped DaVinci Resolve 21 this week, I’ll admit my first thought was: “Wait, isn’t that the video editing software?” Turns out, the company had other plans. Buried inside this massive update is something that could genuinely reshape how photographers think about their editing workflow—an entirely new Photo page that brings professional-grade color grading and RAW editing to Resolve’s already impressive toolset.