Video Tutorials
From Muddy to Intentional: What Sean Tucker's Colour Philosophy Taught Me About My Own Edits
Last month I was going through a batch of street portraits I’d shot in Nashville and I couldn’t figure out why they felt flat. The exposure was fine. The composition was solid. But something in the colour was just… nowhere. Not filmic, not clean, not anything. I’d been defaulting to the same lukewarm edit I’d been using for six months, and it had stopped serving the images without me noticing.