Video Tutorials

How to Darken a Sky Without Wrecking Your Treeline in Lightroom
Video Tutorials

How to Darken a Sky Without Wrecking Your Treeline in Lightroom

Sky editing is one of those things that sounds simple until you’re staring at a photo where the clouds are blown out and the foreground looks like it was shot at midnight. I’ve been in that exact situation more times than I want to count, and for a long time my fix was clunky at best. I’d pull down the overall exposure, hate what it did to the shadows, undo it, and then just… accept a mediocre sky.

Stop Drowning in 400,000 Unlabeled Photos — Let AI Find Them for You
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Stop Drowning in 400,000 Unlabeled Photos — Let AI Find Them for You

I have a confession that will probably resonate with a lot of you: I have years of photo shoots sitting in Lightroom with zero keywords attached to them. Portraits from 2019, landscapes from a road trip through Montana, a whole session I did at a friend’s horse farm. All of it is technically “organized” in folders by date, which means finding any specific image involves either remembering the exact month I shot it or scrolling through thousands of thumbnails like it’s 2009.

Fix Muddy Skin Tones, Lens Fringing, and Crooked Horizons in Lightroom — Three Moves That Actually Matter
Video Tutorials

Fix Muddy Skin Tones, Lens Fringing, and Crooked Horizons in Lightroom — Three Moves That Actually Matter

I used to make the mistake most beginners make: I’d apply a preset, think the edit was done, and export. Then I’d look at the photo two days later and wonder why the skin looked like someone had applied a Instagram filter from 2012. The problem wasn’t the preset itself. It was that I didn’t know how to dial it back in when something went wrong. That gap between “I applied a preset” and “I know what I’m doing” is exactly what this Mango Street tutorial covers, and it does it in under five minutes.

How to Edit Community Photos in Lightroom Mobile: Cropping, Graduated Filters, and Color Grading on iPad
Video Tutorials

How to Edit Community Photos in Lightroom Mobile: Cropping, Graduated Filters, and Color Grading on iPad

Every so often I watch another editor work through photos live and walk away genuinely recalibrating something I thought I already had figured out. I learned Lightroom years ago because someone had to edit my band’s press shots and we couldn’t afford to hire anyone. That scrappy, problem-solving approach to editing never really left me. So when I came across this Nigel Danson tutorial where he works through viewer-submitted RAW files on an iPad in real time, I paid attention.

How to Find Your Lightroom Editing Style (Instead of Just Copying Everyone Else's)
Video Tutorials

How to Find Your Lightroom Editing Style (Instead of Just Copying Everyone Else's)

There’s a specific kind of frustration that hits when you open Instagram, scroll past three photographers whose work stops you cold, and then open your own Lightroom catalog and feel absolutely nothing. I spent a long time in that gap. I’d apply someone else’s preset, think “close enough,” and move on. The photos looked fine. They didn’t look like mine. The problem wasn’t technical skill. It was that I hadn’t done the work of figuring out what I actually wanted my images to feel like.

Update Your Lightroom Copyright Metadata Before You Import Another Photo in 2025
Video Tutorials

Update Your Lightroom Copyright Metadata Before You Import Another Photo in 2025

Every January I do the same thing: I spend way too long organizing my preset folders, rethinking my export settings, and completely forgetting the one administrative task that actually matters legally. I blow past the new year and import hundreds of photos before I realize my copyright metadata still reads the previous year. It’s not a disaster, but it’s also not nothing. Copyright information embedded in your files is your first line of defense if an image gets scraped, stolen, or published without permission.

Start to Finish in Lightroom: What Mark Denney's Bali Edit Taught Me About Getting Out of My Own Way
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Start to Finish in Lightroom: What Mark Denney's Bali Edit Taught Me About Getting Out of My Own Way

There’s a particular kind of editing paralysis that hits when you open a raw file that’s dramatically underexposed. You know there’s a great photo in there somewhere, but the gap between what you’re looking at and what you imagined in the field feels enormous. I’ve been there more times than I can count, usually somewhere around midnight with a vinyl record spinning and my cat ISO judging me from the desk chair.

How to Add a Watermark in Lightroom Classic (Text or Logo, Done Right)
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How to Add a Watermark in Lightroom Classic (Text or Logo, Done Right)

Every photographer eventually hits the same wall: you share a photo online, and somewhere between your hard drive and the internet, the credit disappears. It happened to me constantly when I was just starting out, posting band press shots on every platform imaginable and watching the images float off into the void without my name attached. A watermark is not a perfect solution, but it is a working one, and Lightroom Classic makes it easier than most people realize.

Back to Black and Into Color: Using Duotone and Tritone to Transform Your Photos
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Back to Black and Into Color: Using Duotone and Tritone to Transform Your Photos

There’s a category of color grade that feels almost impossible to recreate with standard Lightroom sliders. You know the look: a photo where the shadows lean hard into one hue, the highlights drift somewhere completely different, and the whole thing feels unified in a way that no HSL panel adjustment is going to get you. I’ve spent enough hours pushing the Color Grading wheels around to know when I’m fighting the tool.

Color Toning in Photoshop with Levels: The Non-Destructive Trick I Keep Coming Back To
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Color Toning in Photoshop with Levels: The Non-Destructive Trick I Keep Coming Back To

Most of my work happens in Lightroom, but every so often a technique from the Photoshop side of the world earns a permanent spot in my rotation. Color toning with a Levels adjustment layer is one of those techniques. It looks deceptively simple on the surface, and that simplicity is exactly why it works. No plugins, no complicated masking, no destructive pixel-pushing. Just a single adjustment layer and a little knowledge about how color channels behave.

Crop It Right: A Practical Guide to Lightroom's Crop, Straighten, and Perspective Tools
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Crop It Right: A Practical Guide to Lightroom's Crop, Straighten, and Perspective Tools

Every time I open a fresh batch of photos, at least a third of them need some kind of compositional fix before I even think about color. A slightly tilted horizon. A subject who’s technically centered but feels crowded. A shot I want to repurpose for print but the dimensions are all wrong. Cropping and straightening sounds like the boring part of editing, but get it wrong and no amount of color grading will save you.

Stop Using Finder to Review Photos. Use Adobe Bridge Instead.
Video Tutorials

Stop Using Finder to Review Photos. Use Adobe Bridge Instead.

I’ve been editing photos long enough to have strong opinions about almost every step of the process. Ask me about Lightroom versus Capture One sometime and bring a snack, because that conversation runs long. But here’s something I don’t argue about anymore: the moment between pulling your memory card and opening Lightroom is where most photographers quietly waste an embarrassing amount of time. Scrolling through tiny thumbnails in Finder or File Explorer, importing thousands of RAW files before you’ve even decided which ones are worth keeping, waiting on Lightroom’s import dialog to do its slow, grinding thing.