Video Tutorials

Adobe's New AI Masking Is the Local Adjustment Upgrade I Didn't Know I Needed
Video Tutorials

Adobe's New AI Masking Is the Local Adjustment Upgrade I Didn't Know I Needed

For years, my local adjustment workflow in Lightroom and Adobe Camera Raw felt like managing a cluttered desk. Pins scattered across the canvas, no clear visual reference for which adjustment was doing what, and a lot of hovering and guessing. I knew the tools were powerful, I just had to hold a lot of context in my head while using them. When Adobe rolled out their 2021 masking overhaul, I honestly didn’t expect it to change much.

Where Are All My Gigabytes Going? How to Hunt Down and Delete Bloated Lightroom Files
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Where Are All My Gigabytes Going? How to Hunt Down and Delete Bloated Lightroom Files

My catalog is a crime scene. Not in an artistic way. I mean there are PSDs in there from 2015 that I abandoned mid-edit, TIFFs that got generated when I round-tripped a photo to Photoshop once and never looked at it again, and at least three different versions of the same bad HDR shot that I should have deleted the same night I made it. Sound familiar? This is one of those problems that sneaks up on you slowly, gigabyte by gigabyte, until suddenly your drive is nearly full and you have no idea why.

Fix White Balance Across an Entire Shoot in Seconds (The Tethered and Non-Tethered Way)
Video Tutorials

Fix White Balance Across an Entire Shoot in Seconds (The Tethered and Non-Tethered Way)

There is a specific kind of misery that comes from finishing a three-hour portrait session, loading 400 images into Lightroom, and realizing the white balance is wrong on every single one. I’ve been there more times than I want to admit. Early on, when I was editing press shots for my band because we genuinely couldn’t afford to hire someone, I used to fix white balance manually, image by image, like some kind of digital monk.

How to Edit Stadium Architecture Shots Using HDR Merge and Targeted Brushwork in Lightroom
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How to Edit Stadium Architecture Shots Using HDR Merge and Targeted Brushwork in Lightroom

Shooting large interior spaces is one of those situations where a single exposure almost always fails you. The ceiling goes muddy, the sky through an open roof blows out, and the field sits somewhere in between looking like neither highlight nor shadow was handled correctly. It’s the kind of image that makes you feel like you did something wrong in camera, when really the problem is just dynamic range. Your sensor physically cannot capture it all in one shot.

RIP to the Done Button: What Lightroom Actually Wants You to Do Instead
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RIP to the Done Button: What Lightroom Actually Wants You to Do Instead

Every time Adobe quietly removes something from Lightroom Classic, my inbox fills up like a rain barrel in a Nashville thunderstorm. The Done button is the latest casualty, and honestly, I get it. When something you’ve clicked a thousand times just vanishes, it feels like Adobe rearranged your kitchen while you were sleeping. But after watching this Matt Kloskowski tutorial on exactly that topic, I walked away thinking less about the button itself and more about how many of us were doing things the hard way without even realizing it.

Stop Making Presets. Start Making Profiles: A Practical Guide to Building Your Own LUTs in Photoshop and Lightroom
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Stop Making Presets. Start Making Profiles: A Practical Guide to Building Your Own LUTs in Photoshop and Lightroom

Every preset pack I’ve ever built started the same way: me fiddling with HSL sliders in Lightroom, convincing myself I could get exactly the tone I wanted if I just pushed the Aqua Luminance a little further. Sometimes it worked. Usually it didn’t. The controls in Lightroom are powerful, but they’re also a ceiling, and for years I bumped my head against that ceiling without realizing there was a door in it.

Build a Photography Calendar in Lightroom's Print Module (And Actually Use Your Best Shots)
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Build a Photography Calendar in Lightroom's Print Module (And Actually Use Your Best Shots)

Every December I end up with the same problem. I have a folder full of my favorite shots from the year, a vague intention to do something meaningful with them, and then somehow a generic wall calendar from a gas station ends up in my kitchen anyway. Sound familiar? This year I finally did something about it, and the fix came from a surprisingly underused corner of Lightroom. In this Matt Kloskowski tutorial, he walks through how to use Lightroom’s Print Module to combine a free calendar template JPEG with your own photography into a shareable, printable image.

How to Edit Moody Landscape Photos in Lightroom: 6 Steps That Actually Work
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How to Edit Moody Landscape Photos in Lightroom: 6 Steps That Actually Work

There’s a specific kind of landscape photo that stops you mid-scroll. Dark, atmospheric, a little unsettling. The kind of image where the fog does half the storytelling and the edit does the other half. I’ve been chasing that look for years, and I’ll admit I used to think it was mostly about being in the right place at the right time. It’s not. It’s mostly about knowing what to do with the raw file once you’re back home.

How to Remove Anyone From a Photo in Lightroom (Without Breaking a Sweat)
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How to Remove Anyone From a Photo in Lightroom (Without Breaking a Sweat)

There’s a specific kind of frustration that comes with a technically perfect shot that has a stranger’s elbow in the corner, or a lighting assistant visible in the background. I’ve been there more times than I care to admit. Back when I was editing press photos for my band on a zero-dollar budget, every person in the background of a shot was a problem I had to solve in software, usually badly, usually late at night.

Adobe Lightroom's New AI Masking Is Almost Too Easy (And I Have Feelings About That)
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Adobe Lightroom's New AI Masking Is Almost Too Easy (And I Have Feelings About That)

Every few months Adobe drops an update that genuinely changes how I work, and every few months I have to decide whether I’m excited or quietly unsettled. Sometimes it’s both at once. When I saw the new masking features land in Lightroom recently, I opened the app, sat down with a coffee, and pulled up Watch the full tutorial on YouTube from Peter McKinnon, who had already done the work of poking around in the new tools and thinking out loud about them.

Lightroom 12.3 Just Changed How I Handle Noise and Masking — Here's What You Need to Know
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Lightroom 12.3 Just Changed How I Handle Noise and Masking — Here's What You Need to Know

Every few months Adobe drops an update that makes me reconsider a chunk of my workflow. Most of the time it’s incremental, a slider moved, a panel reorganized. But the April 2023 release of Lightroom Classic 12.3 landed differently. It touched two areas I deal with constantly: noise reduction and masking. And in both cases, the changes weren’t cosmetic. In this Matt Kloskowski tutorial, he walks through the new Denoise button and the expanded masking options that shipped with version 12.

Lightroom 2025's Generative Remove Tool Just Made My Retouching Workflow Embarrassingly Fast
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Lightroom 2025's Generative Remove Tool Just Made My Retouching Workflow Embarrassingly Fast

Every fall I do the same thing. Adobe drops its annual updates, I spend a Saturday going through the changelogs, and I try to figure out which features will actually change how I work versus which ones will quietly collect dust in a menu I never open. This year’s releases, Lightroom Classic version 14 and Lightroom Desktop version 8, landed with a few genuinely useful upgrades. The one I want to walk through here is the one I’ve already used more in two weeks than I used the old version in two years: the overhauled Generative Remove tool.